The Importance of A=432hz as a concert pitch for music
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The Schiller Institute campaign for a change in concert pitch from A=440hz back to A=432hz is based that 432hz is deeply connected with nature and the vocal chords of singers will not be damaged by higher ranges when centered at concert pitch A=432hz.
The recent rediscoveries of the vibratory/oscillatory nature of the universe indicates that current contemporary A=440hz international concert pitch standard may possibly generate an unhealthy effect or anti-social behavior in the consciousness of human beings.? A=440hz as a standard for concert pitch possibly may bring an unnatural 8 Hz dissonant change in how we think.
DNA oscillates to protect itself from the environment and stress from dissonant interference patterns of mechanical and electromagnetic waves may possibly effect the abilities of DNA to regulate our genetic makeup properly. Our inner ear for example works on the basis of Phi dampening. The waters of our inner ears rely on Fibonacci spiral dampening through the seashell like structure of the cochlea to keep us feeling centered or grounded. This Fibonacci spiral shape helps cancel out certain standing wave interference patterns, like a Helmholtz resonator, in order to keep us properly balanced with the natural environment around us. When the inner ear is in stress by artificial means, we can experience a type of “fog like” condition or feel “spaced out”. The natural Phi shape of the cochlea can be found planet wide in a majority natural organic based life.??A measured phenomenon that supports the idea of using A=432hz as a concert pitch is based on the amount of musical partials of A=432hz that is intertwined in organic systems and the time of planetary movement, the Sun and Saturn for example. Saturn is the solar systems accurate time piece and it orbits the procession ever 864 years ?(432 x 2). The harmonic overtone partials of A=432hz appear to line up to natural patterns and nodal space resonance of scalar waves.
Truly all frequencies affect DNA and consciousness, as we are in a musical universal medium of dimension through the illusion of motion of dimension through frequency, which affects awareness. If you change frequency you can change the perception of dimension.?The issue is as far as concert pitch goes, the farther up you go from “C” prime pitch C=128hz (Concert A=432hz) then the farther you can possibly distort the natural electric potential that imprints memory on the water in your cells. ?This is perhaps why A=440Hz and higher concert pitches can be experienced as brighter, thinner, up and to the side of the head, whereas concert pitch at A=432hz can be experienced in the body at the spine and heart. ?Some people experience vivid dreams and lucid experiences of spiritual connection, once the electrical potential of the sphenoid bone begins to regulate the cranial and spinal fluid in resonance from music tuned to A=432hz.?Some audiophiles have also reported that A=432hz music seems to be non local and can appear to fill a room, whereas A=440hz can perceived as directional or linear in sound propagation.?Maria Renold’s book “Intervals Scales tones and the concert Pitch C=128hz” claims conclusive evidence that 440Hz and raising concert pitch above “C” Prime=128hz (Concert A=432hz) disassociates the connection of consciousness to the body and creates anti-social conditions in human beings.
Raising concert pitch even higher than A=440Hz can cause stress or warping of acoustic instruments and may seriously damage a singers vocal chords according to some professional opera singers.?If we examine the 20the century mass consciousness and the use of A=440Hz as possible mind control in mass media pushed through media & television as the “British Invasion” of Rock & Roll, we see the potential anti social behaviors and possible dangers of using higher and higher pitches as central references for music.?This information was well known over a hundred years ago and Rudolf Steiner warned mankind that using “Luciferic Brightness and Arhimanic tones in music could bring a condensing of the satanic greed forces in the west instead of “C” Prime=128hz (Concert A=432hz) which he mentioned was “Christ” consciousness of ascendant energy and angel “Micheal” sun tone energy in the collective awareness in the evolution of man.?Unfortunately most western music, including popular new age healing music is still tuned at unnatural equal temperament concert pitch A=440hz tuning. The difference between concert pitch A=440hz and Concert A=432hz is only 8 cycles per second, but it is a perceptible difference of awareness in the human consciousness experience of the dream we share called reality.
The Geometry of 432hz Frequency
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We wondered what the geometry of 432hz would look like using Cymatics so I contacted John Stuart Reid, the co-designer of the CymaScope™ regarding his wonderful invention and the geometry of the A=432hz tone.
The CymaScope is the pinnacle of cymatics research and is the concept of John who as an acoustics engineer, carried out cymatics research in the King’s chamber of the Great Pyramid of Giza in 1997.
The CymaScope™ is an accurate device that measures acoustic vibrations of nodal points that form patterns of geometry in different liquid or solid mediums.
The science of cymatics which is geometry through vibration was researched and published by Dr. Hans Jenny in 1967, in his book called The Study of Wave Phenomena.
Here is a transcript of John’s correspondence with Brian T’ Collins;
“Hello Brian, 432 Hertz pops out as a triangle, every time we image it.
We thought there was something wrong with the CymaScope™ but after trying for more than an hour we concluded that the number 3 was somehow universally connected to 432 Hertz.”
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“We captured it on video also and it looks like it’s alive,
it writhes and pulsates and refuses to take up any other form. We researched the reason why it takes up this geometry and it turns out to be an interesting case:
When A is tuned to 432Hz the frequencies of the other A’s shift (within a decimal point) to 27 Hz, 54, 108, 216, 864, 1728 in other octaves.
D becomes 576 Hz which becomes 9 Hz, 18, 36, 72, 144, 288, 1152 in other octaves. E becomes 324 Hz which becomes 81 Hz, 162, 648, 1296 in other octaves. All of these frequencies are divisible by 3…
Regards, John Stuart Reid.”
John had confirmed with his incredible invention the CymaScope™, what seems to be a scientific interpretation of what I believe in my personal opinion, what Rudolph Steiner in his esoteric knowledge of the Mysteries of Golgotha and cosmic principals stated; that a prime center of tone for living enlightenment in mankind is a C=128hz note with the octave at C=256hz (within 432hz Concert pitch) or Michael Sun tone A=432hz which ties the spiritual tetra or trinity of spherical scalar wave patterns and evolution of man ascendant together in sound and geometry of the super hologram of consciousness. The medium of 432hz is certain evidence of divine intelligent design of the universe and light. A 53 note temperament scale based on A=432hz pitch goes less than 1 hertz difference out of harmonic synchronicity over the entire 53 note scale, most other pitches are out of sync after only two or three notes up the octave, an excited engineer confirmed that scales tuned to A=432hz is surely the fingerprint evidence of a intelligent divine creator.
A new quote regarding the amazing properties of 432 from John Stuart Reid’s Facebook page states:
“432Hertz is a harmonic of light frequency it ‘speaks’ or ‘resonates’ directly with our cells. All cells communicate with each other via infrared light so I imagine that when they receive music in 432 Hertz they are in joy. The conscious you may not be aware of this, but most of what goes on in our bodies is sub conscious, thankfully! You can read more about how all sounds create infra red light in the physics section of our web siteCymaScope”
“432 Hertz truly can be considered a harmonic of light. ?Sound in air may be defined as the transfer …of periodic movements between adjacent colliding atoms or molecules. This sonic energy typically expands away from the site of the collisions–at the local speed of sound–as a spherical or bubble-shaped emanation, the surface of which is in a state of radial oscillation. At the point of origin of the sonic bubble an electromagnetic bubble is created by the collisions between the air molecules, because each collision creates friction that releases a small amount of infrared electromagnetism. That magnetism, like the sonic bubble, expands away from source spherically and it is modulated by the sonic periodicities, in much the same way that an amplitude-modulated radio broadcast consists of an electromagnetic carrier that is modulated in amplitude by, say, a person’s voice frequencies. Thus, the relationship between sound and light is real and very much part of the way that nature works. We cannot talk about the 432 Hertz key note without visualizing a 432 Hertz-modulated infrared light bubble” Regards-John
Thank you
By: …Brian T Collins